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Russian blackgaze duo Olhava just released a new digital single, Eternal Fire, an anticipation of their incoming new studio album, which will be announced in the coming weeks.
Born in 2016, Olhava has been growing a dedicated following in these last few years thanks to their personal formula of blackgaze and ambient, and a peculiar sensitivity and melancholy. Eternal Fire is the bridge between their 2022 album Reborn and their incoming studio effort, which was recently completed and will see the light soon.
Eternal Fire can be streamed on all and every digital platforms worldwide, as well as on Avantgarde Music YouTube channel.
What follows is a heartfelt comment from the band.
“Don’t let the fire die, ignited by your dreams…”
This lyric was written during the most desperate times when making music and poetry was salvation.
This lyric comes from feeling weak and disillusioned, from feeling lost and going astray. Now, after 10 years since it was written, it’s time to share this very personal message with you.
Being able to dream is one of the most valuable things. Being able to reach your goals and to regroup after being shattered, to be able to find your way again, is something we have to teach ourselves.
This music was written during brief periods over the course of three painfully long years, which transformed all of our lives beyond recognition. Now we wish you the power to keep living, dreaming, and staying on your path.
“… never give up, just breathe.”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable... Jordan Vauvert
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue. Matt Richardson
"La mort n'existe ni pour les vivants ni pour les morts" écrivait Épicure et ça reste toujours vrai : personne ne peut en faire l'expérience — sauf NONE, formation américaine qui en a fait son leitmotiv. Les membres du groupe sont inconnus et son premier album n'a pas de nom ; même le paysage sur la pochette est vaporeux. Si le DSBM est déjà d'une tristesse funèbre qui serre le cœur, les passages atmosphériques donnent à entendre les âmes en peine de l'autre côté du voile. Un début magistral... Jordan Vauvert