Jono Schneider
Nasty, brutal, and brutish. Sounds incredible. Guitars groan like miserable people and the singing is evil as fuck. The production is pretty raw and the instruments sound like they are at war with one another.
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These songs revolve around the transformation from man to The รbermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.
Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.
Thus Spoke Drought, by the means of Avantgarde Music, April 2016
supported by 145 fans who also own โRudra Bhaktiโ
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
supported by 143 fans who also own โRudra Bhaktiโ
On ne frappe pas un homme ร terre : c'est ce que dit la rรจgle mais NONE a dรฉjร prouvรฉ qu'il ne les suivait pas et si son album รฉponyme retirait toute perspective de bรฉatitude spirituelle, Life has gone on long enough, son deuxiรจme opus, nous interdit l'accรจs au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dรฉpression urbaine. Les cris partent en fumรฉes : ne restent que les pleurs... Jordan Vauvert