Six panels digipack
Begins shipping on and around December, 14th
As usual for most of our preorders, we apply a "no shipping charge" promo until release date.
PLEASE NOTE: we guarantee for all preorders an AIRMAIL shipping with NO tracking number. If you wish to upgrade your shipment to a registered parcel please pay +3.00€ more (in fact you can edit the amount yourself at check out).
Orders from Brazil, Mexico, Russia and Thailand are already automatically charged for that at check out.
For all the others: we will not be reponsible for lost parcels. If you feel that your country’s postal system is not trustable in 2017 we encourage you to upgrade your order to a registered shipment (simply add +3.00€)
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supported by 214 fans who also own “Silence and the Setting Sun”
L'obsidienne est une roche de couleur noire et son aspect vitreux absorbe le regard ; mais sous la lumière, elle produit de magnifiques reflets arcs-en-ciel. C'est ce degré de magnificence qu'Obsidian Tongue vise dans A Nest of Ravens in the Throat of Time. Si la production est toujours rugueuse, le duo américain met l'accent sur les mélodies, plus profondes et mélancoliques. Progressives, les pistes se rallongent et se condensent. Un bel opus qui frôle, sans l'atteindre encore, la perfection ! Jordan Vauvert
supported by 214 fans who also own “Silence and the Setting Sun”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs... Jordan Vauvert
supported by 208 fans who also own “Silence and the Setting Sun”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten