Get all 233 Avantgarde Music releases available on Bandcamp and save 70%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Nel Buio, Scars Of Yesteryears, The Path of Perdition, Last Rites | Dire Omens, Fabled Lore / Hidden Stream, Spiritual Apotheosis, Il Capro Infuocato, Dualisme, and 225 more.
Excludes subscriber-only releases.
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A Nest of Ravens in the Throat of Time
by Obsidian Tongue
supported by 202 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
L'obsidienne est une roche de couleur noire et son aspect vitreux absorbe le regard ; mais sous la lumière, elle produit de magnifiques reflets arcs-en-ciel. C'est ce degré de magnificence qu'Obsidian Tongue vise dans A Nest of Ravens in the Throat of Time. Si la production est toujours rugueuse, le duo américain met l'accent sur les mélodies, plus profondes et mélancoliques. Progressives, les pistes se rallongent et se condensent. Un bel opus qui frôle, sans l'atteindre encore, la perfection !
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supported by 200 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it. That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter.
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Of Ash and Dying Light
by Nachtterror / Altars of Grief
supported by 194 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
Room of Angel: What an amazing cover. The subject matter is right on point for Altars of Grief, and it feels genuine. Great song.
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The Rime of Memory
by Panopticon
featured on Bandcamp Radio Feb 2, 2024
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Overtures of Uprising
by Exulansis
featured on Bandcamp Radio Nov 24, 2023
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featured on Bandcamp Radio Nov 24, 2023
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Life has gone on long enough
by NONE
supported by 194 fans who also own “God's Gonna Cut You Down (Johnny Cash cover)”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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